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Western Swing Lead Guitar Styles, by Joe Carr
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Take it Away! Unlock the secrets of hot take-off lead guitar as played by the greatest players from the greatest bands. Western Swing master Joe Carr has transcribed the great guitar solos from the Bob Wills band and other greats and breaks them down note by note into useful licks that can be used to improvise original hot solos. Includes solos by western swing legends Eldon Shamblin, Jimmy Wyble, Leon Rhodes, Junior Benard (often called the first rockabilly) and more. The accompanying CD uses classic western swing song progressions and presents the licks at a medium, learnable pace. Written in standard notation and tablature. Learn hot take-off style lead guitar Includes transcribed solos by Shamblin, Wyble, Rhodes, Bernard and more. Includes play-along CD with all licks at playable pace. Features the music of Bob Wills and other Western Swing greats.
- Sales Rank: #1922644 in Books
- Brand: Brand: Mel Bay Publications, Inc.
- Published on: 2009-03-26
- Original language: English
- Number of items: 1
- Dimensions: .30" h x 8.40" w x 11.40" l, .1 pounds
- Binding: Paperback
- 48 pages
- Used Book in Good Condition
About the Author
Guitar players may not recognize Joe Carr's name at first, but his face is probably familiar. That's because he appears in over 20 instructional guitar videos ranging from country to western swing, bluegrass and even heavy metal! Add to these his videos on mandolin, fiddle, banjo, and ukulele and Joe may be the most recorded video music instructor anywhere. Joe is a self-taught musician originally from Denton, Texas who started guitar at age 13, inspired by the folk musicians of the 1960's. A few years later, he was hired to play guitar in Alan Munde's internationally known bluegrass group, Country Gazette. Over the next six years Joe recorded 3 group albums, numerous sideman projects and produced his own critically acclaimed solo guitar album, Otter Nonsense. Joe left the Country Gazette in 1984 and joined the music faculty in the unique commercial music program at South Plains College in Levelland, Texas. Throughout the 1990s he continued to record and perform with former Gazette leader and South Plains College colleague Alan Munde. In addition to two albums on the Flying Fish label, Joe and Alan have published an award-winning book about West Texas Country Music called Prairie Nights to Neon Lights from the Texas Tech University Press. Joe is editor of Mel Bay's Mandolin Sessions� and Ukulele Sessions� webzines and is also a regular columnist for Flatpicking Guitar magazine and Mandolin Magazine. He was awarded the International Bluegrass Music Association's Distinguished Achievement award in 2008.
Most helpful customer reviews
4 of 4 people found the following review helpful.
I Love This Book / Joe Carr's Books
By Ms. Ma'am
A "beginning" intermediate player, I know more than cowboy chords, first position, but have yet to play lead or connect the bits of basic skills and knowledge. This book and CD are addicting.
The book is easy to follow, but still challenging enough to be rewarding when I "get it." I feel like I'm actually going somewhere with my skills now. The whole book seems laid out really well - easy to follow, not too complicated, and it all makes sense. The skills taught are basic and generic, but interesting, and very useable once learned. Mr. Carr breaks the lessons and examples down into segments, then puts them together.
Did I say I love this book?
I read music like I speak Spanish - slowly. I like that Carr's examples are both in tablature and standard musical notation. I know enough musical notation to have a better overall understanding of the material through these examples. I feel really pleased that Mr. Carr explains the full and/or abbreviated chord shapes as he goes along, and the relation of the licks to these shapes up and down the neck. I am also pleased that the fretting hand "start" finger is often given when the material changes between chords or positions.
At first I thought the sound files were a wee bit fast. I've decided I like them as they are. I could use a "slow-downer" program, but I'm getting it as is! I put the CD sound files on my iPod, make a playlist with only the lesson I'm working on, continually looping the same tune until I'm ready to practice on my own.
So pleased with this book, and my other Joe Carr books. In over 30 years of guitar playing, much of it "stuck" in folk/three chord country songs and power chords, I'm making real progress.
My favorite guitar books ever! In Texas, our official state music is Western Swing and the official state instrument is guitar.
4 of 4 people found the following review helpful.
False advertising
By S. M. Barden
The Amazon description for this says, "Western Swing master Joe Carr has transcribed the great guitar solos from the Bob Wills band and other greats and breaks them down note by note into useful licks that can be used to improvise original hot solos. Includes solos by western swing legends Eldon Shamblin, Jimmy Wyble, Leon Rhodes, Junior Benard (often called the first rockabilly) and more."
None of that is true. This book doesn't contain a single transcription of an actual solo played by any of those men. Rather, it contains several "in the style of" solos written by Joe Carr. Like many of these method books, the examples are very inferior to the real thing. Many of them sound awkward and atonal in places.
I gave the book three stars anyway because it does a good job of explaining some of the theory behind the style, so I think it's a useful instructional aid. But if you really want to learn tasty "take off" western swing solos, you'll still have to transcribe real ones on your own, and maybe transcribe recordings of yourself singing improvised solos over chord progressions, assuming that you're already familiar with the style by listening to it.
This book will help you understand the theory behind western swing, but don't expect it to teach you to actually play the style in a tasty manner. That's going to require a lot of additional work.
3 of 3 people found the following review helpful.
Great Book, Well Done..
By Tele-Savalas
Well written and clearly explained. The examples include both lead and rhythm aspects of Western Swing guitar. The book in only 48 pages so the while well done there are not a lot of examples given. Good basis for improvisation. I'd say beginner to itermediate or advanced players not familiar with Westen Swing.
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